By Alan Sculley | For Weekender

Blues phenom Joe Bonamassa to perform at Peach Music Festival in Scranton

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Joe Bonamassa performs at the Seminole Hard Rock Hotel and Casinos’ Hard Rock Live in 2012 in Hollywood, Florida. Bonamassa will play at The Peach Music Festival in Scranton on Aug. 13.
Jeff Daly | AP file photo
Robert Randolph, left, and Bonamassa perform during the Crossroads Guitar Festival in 2010 in Chicago. Bonamassa’s latest album ‘Blues of Desperation,’ features two drummers and created a unique soundscape.
Kiichiro Sato | AP file photo
Bonamassa, who was considered a guitar prodigy at a young age, shared a stage with blues great B.B. King by the time he was 12.
Jeff Daly | AP file photo
Black Country Communion, Bonamassa’s supergroup, will reunite and hit the studio in the near future, the guitarist said.
Kiichiro Sato | AP file photo

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    Blues-rocker Joe Bonamassa has made a habit of having a specific musical direction in place before recording many of his solo albums.

    For his current studio album, “Blues of Desperation,” the concept came from Bonamassa’s long-time producer Kevin Shirley, who wanted the album to feature Bonamassa on guitar, a bassist and — here’s the twist — two drummers.

    In a recent phone interview, Bonamassa said he wasn’t sold on the drummer format when Shirley presented it.

    “You’d probably have to ask the two drummers, Greg (Morrow) and Anton (Fig), and they’d probably say the same thing. ‘We don’t think this is going to work, frankly,’” Bonamassa said. “And I didn’t think it was going to work. But Kevin has this thing, when he hears something and he knows how to put the right people in the room to achieve that, that you cannot discount that for one minute. That’s why he’s a great producer.”

    Bonamassa will perform on Aug. 13 during The Peach Music Festival at The Pavilion at Montage Mountain in Scranton.

    The presence of two drummers on “Blues of Desperation” isn’t quite as apparent as it is, for instance, on Allman Brothers Band albums, where that group’s tandem of Butch Trucks and Jaimoe tended to play different, but complementary patterns.

    There’s some of that approach on “Blues of Desperation,” but more often Morrow and Fig sync up more closely, and the results are the fat rhythms that kick up the power on many of the album’s rockers. On “This Train,” the crackling drum track recalls the beat Aerosmith used on “Back in the Saddle.” A couple of songs (“Mountain Climbing” and the title track) have the kind of thundering beats Led Zeppelin’s John Bonham brought to that band’s music. The rolling drums on “Distant Lonesome Train” give the song a cool tribal blues feel.

    “Well, the Allmans, that’s a different thing altogether,” Bonamassa said of the rhythmic approach of the new album. “That’s more of a soup, where the way we approached this was two separate parts making one beat. And if you play each part ala carte, it would almost sound disjointed and not like drums. But when you come with the two parts, and you have a straight versus a swing, I mean, that’s when it really, no pun intended, that’s when it really starts to swing.”

    The potent rhythms are a selling point on “Blues of Desperation,” but so are the meaty guitar riffs and leads and vocal melodies that turn tunes like “This Train,” “Mountain Climbing” (with its great descending signature riff), and the notably bluesy, string-accented “No Good Place For The Lonely” into standout rockers. The album also features several first-rate ballads in “How Deep This River Runs” (which has an epic feel), the ghostly “Drive,” and the more acoustic and soulful “The Valley Runs Low.”

    The use of only bass and drums also brings out the best in Bonamassa, one of rock’s most acclaimed guitarists. He has plenty of room to work and not only does he deliver attention-getting riffs, he also builds extended solos into several songs (“No Good Place for the Lonely,” “Distant Lonesome Train”) that build tension and drama and seem far more crafted than they actually were. Instead much of the music — including the solos — was recorded spontaneously live off the floor.

    “All of those were pretty much cut as they appeared,” Bonamassa said. “Some of the solos are first takes. Everything was just kind of it as it happened.”

    The songs on “Blues of Desperation” suggest Bonamassa is doing some of the best songwriting in a career that now stretches back more than 25 years to when the Utica, N.Y., native arrived on the scene as a pre-teen guitar prodigy playing some 20 shows with B.B. King by the time he was 12 years old.

    But the real coming out party for Bonamassa, 40, came in 1995, as a featured member of the band Bloodline. That group, though, broke up after one album, and Bonamassa launched his solo career. His first significant impact came with his sixth album, 2007’s “Sloe Gin.” The title song of that record remains a cornerstone in Bonamassa’s catalog.

    He has followed the “Sloe Gin” album with seven more studio albums, including such well-received titles as “The Ballad of John Henry” (2009), “Black Rock” (2010) and “Driving Towards the Daylight (2012).

    But where Bonamassa, up to that point, included a good number of covers on most of his albums, he has focused on all-original material on “Blues of Desperation” and his 2014 album “Different Shades of Blue.” And after writing his original songs on his own, these two most recent albums have seen him co-write with several seasoned tunesmiths, including James House, Jeffrey Steele and Jerry Flowers.

    Bonamassa said the skills of his co-writers nicely complement his strengths as a songwriter.

    “Well, these guys are song guys,” he said. “These guys know the structures, and they know what songs need and what they don’t need. I’m a riff guy. I know how to make blues-rock. So it’s the marriage of the two.”

    Bonamassa is showcasing a good chunk of “Blues of Desperation” on his current tour. He’s using just one drummer live (Fig), but along with Michael Rhodes on bass, has added keyboards (Reese Wynans, formerly of Stevie Ray Vaughan’s Double Trouble), trumpet (Lee Thornburg) and saxophone (Paulie Cerra).

    “Yeah, the shows have been going great,” Bonamassa said. “We’re doing some stuff from the new album, some stuff from the old albums and all points in between.”

    Touring is far from the only activity on Bonamassa’s agenda in the coming months — no surprise for this prolific artist who has released a steady string of live DVDs to go with his studio albums and done several side band and collaborative projects along with his own albums.

    He has just released a DVD, “Live at Carnegie Hall: An Acoustic Evening,” which documents his shows from 2015 at the famous venue.

    “You know, it’s just a documentation of a very special couple of nights and very special band,” Bonamassa said.

    A CD/DVD set, “Live at the Greek Theatre,” was released last year. According to Bonamassa, a show recorded on the 2015 “3 Kings” tour, during which the guitarist honored B.B. King, Albert King and Freddie King with a show made up of songs by those three blues legends, is also going to get released.

    “I’ve seen the DVD, and it’s awesome,” Bonamassa said.

    Also on the schedule is a fourth studio album with his supergroup, Black Country Communion. The project will come as a surprise to many fans of the group, which also includes former Deep Purple bassist Glenn Hughes, drummer Jason Bonham and Dream Theater keyboardist Derek Sherinian.

    In 2012, it appeared Black Country Communion was finished after Bonamassa and Hughes got into a spat over the amount of time that would be devoted to the group. Bonamassa didn’t address any specifics on the subject, only to say that issues that existed have been resolved.

    “Yeah, it’s all good,” Bonamassa said.

    Joe Bonamassa performs at the Seminole Hard Rock Hotel and Casinos’ Hard Rock Live in 2012 in Hollywood, Florida. Bonamassa will play at The Peach Music Festival in Scranton on Aug. 13.
    http://www.theweekender.com/wp-content/uploads/2017/08/web1_AP_17613984372.jpgJoe Bonamassa performs at the Seminole Hard Rock Hotel and Casinos’ Hard Rock Live in 2012 in Hollywood, Florida. Bonamassa will play at The Peach Music Festival in Scranton on Aug. 13. Jeff Daly | AP file photo

    Robert Randolph, left, and Bonamassa perform during the Crossroads Guitar Festival in 2010 in Chicago. Bonamassa’s latest album ‘Blues of Desperation,’ features two drummers and created a unique soundscape.
    http://www.theweekender.com/wp-content/uploads/2017/08/web1_AP_100626163461.jpgRobert Randolph, left, and Bonamassa perform during the Crossroads Guitar Festival in 2010 in Chicago. Bonamassa’s latest album ‘Blues of Desperation,’ features two drummers and created a unique soundscape. Kiichiro Sato | AP file photo

    Bonamassa, who was considered a guitar prodigy at a young age, shared a stage with blues great B.B. King by the time he was 12.
    http://www.theweekender.com/wp-content/uploads/2017/08/web1_AP_503880623764.jpgBonamassa, who was considered a guitar prodigy at a young age, shared a stage with blues great B.B. King by the time he was 12. Jeff Daly | AP file photo

    Black Country Communion, Bonamassa’s supergroup, will reunite and hit the studio in the near future, the guitarist said.
    http://www.theweekender.com/wp-content/uploads/2017/08/web1_AP_100626163446.jpgBlack Country Communion, Bonamassa’s supergroup, will reunite and hit the studio in the near future, the guitarist said. Kiichiro Sato | AP file photo
    Blues phenom headed for Peach Festival

    By Alan Sculley | For Weekender

    IF YOU GO

    What: The Peach Music Festival

    Where: The Pavilion at Montage Mountain, 1000 Montage Mountain Road, Scranton

    When: Aug. 10 to 13

    Additional information: Single-day passes range from $60 to $75 depending on the day. Four-day general admission passes currently cost $165, and four-day passes with camping currently cost $215. For additional ticket packages and updates on ticket pricing as the event nears, visit thepeachmusicfestival.com.

    IF YOU GO

    What: The Peach Music Festival

    Where: The Pavilion at Montage Mountain, 1000 Montage Mountain Road, Scranton

    When: Aug. 10 to 13

    Additional information: Single-day passes range from $60 to $75 depending on the day. Four-day general admission passes currently cost $165, and four-day passes with camping currently cost $215. For additional ticket packages and updates on ticket pricing as the event nears, visit thepeachmusicfestival.com.