Heavy metal is, by nature, larger-than-life, but artists like Finland’s Nightwish take things to an entirely different level. The standard guitar, bass and drums are skillfully threaded together into an epic symphony that has as much in common with Bach as it does with Black Sabbath. After a somewhat lengthy writing/recording period, the band recently released its seventh studio album, “Imaginaerum,” a concept album telling a composer’s life story as seen from his deathbed.
As would be fitting for an album with such an idea behind it, “Imaginaerum” is a mix of calm, flowing numbers contrasted with high-tempo, grinding power metal. Nightwish sets this pattern right from the outset, where album opener “Taikatalvi” sounds like a soft dream sequence, which is then interrupted by “Storytime” and “Ghost River,” both of which would sound perfectly at home on a horror-movie soundtrack.
Throughout the album, the band takes many opportunities to emphasize the talent of singer Anette Olzon, who now seems an integral part of the band after the messy departure of original frontwoman, Tarja Turunen. Tracks like “I Want My Tears Back,” “Last Ride of the Day” and “Slow, Love, Slow” show extraordinary range and an ability to adapt well to numerous musical styles, adding to the band’s mystique.
“Imaginaerum” is a thoughtfully composed album and takes the listener through many highs and lows that many of us can relate to. While it is appealing, diverse and technically proficient, it is also the type of album where one must be in the proper mood first before being able to enjoy it as it begins to really push the boundaries of what really can be considered “metal” music.
Rating: W W W
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