ALBUM REVIEW: Bush goes down memory lane

by Nikki M. Mascali
Weekender Editor

For the past decade, it seemed ’90s alt-rockers Bush was kaput. Following its demise, frontman Gavin Rossdale went on to helm Institute, dip into acting and become a family man with wife Gwen Stefani.

But last summer, Bush — with Rossdale and drummer Robin Goodridge as the only original members — reformed and recently released “The Sea of Memories,” its first album in 10 years.

“The Mirror Of The Signs,” is a good starting point, with staccato drums and swirling guitars, and Rossdale’s vocals have held up. Lead single, “The Sound Of Winter,” has very rhythmic guitars and Rossdale beckoning, “Let’s walk through the fire together.”

The sludgy “All My Life” precedes standout track “The Afterlife,” which has a punky guitar and drum dance and a repetitive echo reminiscent of “Mouth” from 1996’s “Razorblade Suitcase.”

The pretty “All Night Doctors” is another highlight, which starts with prominent piano and Rossdale’s emotive vocals. “Were you ever my love?” he wonders. About two minutes in, a great fuzzy guitar kicks in.

“Baby Come Home” sounds similar to the group’s 1995 breakout, “Everything Zen.” “Red Light” has an ’80s-esque drum fill that makes the song feel dated, while the punchy “She’s A Stallion” sounds like ’90s Bush — and that’s a compliment. Closer “Be Still My Love” has prominent bass drum, searing guitar and an almost somber feel. “Be still, be still my love,” Rossdale implores.

“The Sea of Memories” is a continuation of the sound that set Bush apart from other bands of its heyday, much of which was because of Rossdale’s incomparable vocals. Fans will welcome the album, but it’s too soon to tell how it’ll hold up with other listeners.

Rating: W W W 1/2